Thursday, 14 September 2023

Final Solution

 Hello everyone, in this blog i will discuss about title significance of Mahesh Dattani's play 'Final Solution'

introduction

The play Final Solutions, written by Mahesh K. Dattani discusses the theme of communal riots, hatred and bitterness of Hindus and Muslims against each other. The plot is set in Gujarat (after the 2002 Riots). The communal hatred is at peak. It can be seen when we find Hindu mob chasing Javed and Bobby after knowing that they are Muslims.


Next, we also come to know other complex stories like love affair of Smita (who is a Hindu) and Bobby, Javed’s story of adopting extremist way, Ramanik’s grabbing of Javed’s land (after burning his shop) etc.


title significance

The significance of the title “Final Solutions” by Mahesh Dattani lies in its multi-layered meaning and its connection to the themes explored in the play. The title itself is a reference to the Holocaust, specifically the Nazi regime’s plan for the systematic extermination of Jews, known as the “Final Solution.”

However, in Dattani’s play, the term “Final Solutions” takes on a broader and metaphorical meaning. The play, set in the aftermath of the Babri Masjid demolition in 1992, addresses the issue of religious communalism and its destructive consequences. Dattani’s use of the title “Final Solutions” suggests that the play is not just about a specific incident or event but rather about the larger problem of communal disharmony and the urgent need for resolution.

By choosing this title, Dattani highlights the gravity of the issue and the urgency to find lasting solutions to the deep-rooted conflicts in society. It serves as a reminder that the consequences of communal disharmony can be devastating and that finding a way to coexist peacefully is crucial.

Furthermore, the title also reflects the play’s exploration of the limitations of traditional approaches to conflict resolution. Dattani suggests that simplistic and one-sided solutions are inadequate and that true resolution can only be achieved through acceptance, empathy, and understanding.

In summary, the title “Final Solutions” by Mahesh Dattani carries significant weight as it alludes to the historical context of the Holocaust while also emphasizing the urgent need for lasting solutions to the issue of communal disharmony in Indian society.

Conclusion

 This play is a response to Mahesh Dattani’s reaction to the sporadic communal riots, breaking forth here and there, at different times. The play further highlights that being in majority or minority also determines our thought processes and subsequently our response towards the people of other community. While the majority group fails to acknowledge the equal status of the minority, the latter raises the finger at the dominant majority group for becoming their destiny makers. The promising points which the study of the play offers for establishing amity and good-will between the two communities are the nobility at heart, space for self- expression, open-mindedness and tolerance for other’s dissenting note, respect and regard for one another’s cultural values, a society sans ego and sans prejudice and initiation on the part of both the communities to look beyond the narrow communal lines

Wednesday, 13 September 2023

'Lakshman' by Toru Datt

 Hello everyone, in this blog i will discuss about  critical analysis of Toru Datt's poem "Lakshman".

About Author 



Toru Dutt, born on March 4, 1856, in Kolkata, India, was a translator, poet, and essayist. She is the author of Ancient Ballads and Legends of Hindustan (Kegan Paul, Trench & Co., 1882) and Le Journal de Mademoiselle d’Arvers (Didier, 1879), the first novel written by an Indian writer in French. A prolific translator, she published A Sheaf Gleaned in French Fields (C. Kegan Paul & Co., 1877), a book of over three hundred French poems translated into English. She died on August 30, 1877, at the age of twenty-one.

About Poem

The poem "Lakshman" is from Dutt's Ancient Ballads and Legends of Hindustan (1882). It tells a story from the Hindu epic Ramayana, in which the hero Rama is told to procure a golden deer for his wife, Sita. After Rama leaves Sita with his brother, Lakshman, for safekeeping, he finds out that the deer is actually a demon and kills it. However, when the demon dies, it calls out for help using Rama's own voice. Though Lakshman knows Rama is invincible and does not worry, Sita panics at the sound of the cry for help and asks Lakshman to go and investigate. So that he can both please Sita and also ensure that she stays put, as ordered by Rama, Lakshman draws a line in the ground that Sita is not to cross while he leaves to search for Rama. While he is absent, however, Sita crosses the line and is abducted by the demon king Ravana.

The poem takes this story from the Ramayana and opens up the discussion between Sita and Laskhman, expanding it beyond what is present in the epic. Still, much of the core elements of their dialogue are preserved from the epic. First, Sita warns Lakshman to take heed of what are allegedly Rama's cries. When Lakshman tries to counsel Sita otherwise, she accuses him of conspiring to bring Rama down and take her for his own wife. Lakshman is harmed by her words and finally bows to her wishes, drawing a circle with an arrow that she is not to cross while he goes out to assist Rama. Despite the fact that Sita is enraged and has hurt Lakshman's feelings, however, he is calm, only speaking to bless Sita and pray that the deities of the forest will keep her safe when he leaves. The poem ends with a "sorrow dark" on Lakshman's face and a "vulture scream[ing]" as he departs.



Toru Dutt Lakshman -A Critical Analysis

‘Lakshman’ by Toru Dutt is a poem on a Hindu mythological theme. The subject matter of the poem is taken from the ‘Ramayana’, a Sanskrit epic by Valmiki. Lakshman was a younger brother of Sri Ramchandra. Once Ramchandra with his beloved wife, Sita, had to go to exile after his father’s will. With Ram and Sita, Lakshman also went to exile. Sita was chaste, pious and very beautiful. Ravana, the king of Lanka, had heard of Sita’s qualities and hence he desired to carry her off.

While Ram, Sita and Lakshman were in exile, Ravana took the avail of it and by his magic power, he created a golden deer. To please Sita, her husband Ram pursued the deer leaving Sita and Lakshman in the bower. Then at distance, Sita heard a voice as same as that of Ram seeking help. Really the voice was not of Ram but of Ravana. Ravana made a plan to drive Lakshman away of the bower so that he can carry Sita off. Sita, hearing the calling of Ravana to be Ram’s, asked Lakshman to go to help Ram. First Lakshman did not want to leave the bower leaving Sita alone. But Sita persistently persuaded Lakshman to leave the bower in order to rescue Ram.

The poet Toru Dutt has given a very poetic as well as a dramatic description of Sita’s persuasion to Lakshman. The poem bears the stamp of how much devotion and love Sita had for her husband.

Hearing the voice like that of Ram, Sita says to Lakshman and calls him to go to succour Ram without making any delay. She thinks that perhaps her husband is surrounded by foes, so Lakshman should go there quickly with his sword and bow. But Lakshman seemed not to heed Sita’s order. Then Sita, being angry, wanted to go alone. Seeing Sita’s agitation and anxiety, Lakshman says to Sita that there is no cause to fear because Ram is strong and brave enough to fight an enemy.

He then gives a poetic account of Ram’s prowess and says that the lion and bear shrink back in fear when they see his royal look. The anger of Ram none can endure, Even sun-staring eagles drop-down at Ram’s look. Pythons and cobras, at Ram’s tread, glide to their secret holes. The serpent bows down to his feet. The poet says:

The lion and the grisly bear

Cower when they see his royal look,

Sun-staring eagles of the air

His glance of anger can not brook,

Python and cobras at his tread

To their most secret coverts glide,

Bowed to the dust each serpent head

Erect before in hooded pride.”

Lakshman anticipated the wailing cry for help is not of Ram but of an enemy uttered to delude them. So Sita should not beseech Lakshman to go out in search of Ram leaving Sita alone. Instead, he made Sita remind her that he had been commanded by Ram to remain with Sita as a guard as there might have some giant foes in the forest to harm her. But Lakhman’s persuasion could not calm Sita of her anxiety. Instead, she argued and says:

Search well and sea! One brother takes

His kingdom— one would take his wife

A fair partitional— but it makes

Me shudder and abhor my life.”

At last, being ashamed of Sita’s argument, Lakshman came out of the bower and tracing a magic circle in front of the door, and ordering her not to cross the circle, goes to help Ram. While he left Sita alone, Lakshman heard the scream of a vulture which was a symbol of an ill omen. After his departure, Ravana came to the bower and carried off Sita to Lanka.

The poem shows Sita’s devotion and love to her husband; but Sita herself is responsible for being carried away by Ravana, the king of Lanka. Besides this Lakshamn’s wisdom and rationality are also expressed in the poem.

Literary device

The poem is written in a rhythmic tone. The imagery of Ram’s valour narrated by Lakshman is highly poetic. The language of the poem is easy and simple.

Conclusion 

The poem is thus characteristic of many of Dutt's interests—the relationship of humanity, divinity, and nature; the complexity of family relationships; the experience of loss or bereavement; and the merging of English verse forms and poetic traditions with her own innovations and Indian inspirations. At the same time, its more formal tone and register—as distinct from those of other, more personal poems in the collection such as "The Tree of Life" and "Our Casuarina Tree"—also shows that, in writing this poem, Dutt was intentionally calling back to something other than her own experience, something deeply rooted in tradition and timeless in its telling and retelling over time.Dutt Lakshman

Tuesday, 12 September 2023

The Home and The World

Hello everyone, in this blog i will discuss about some question about critical analysis of Rabindranath Tagore's  The Home and The World'

Introduction

The Home and the World is a novel by Rabindranath Tagore, first published in 1916. The novel centers around the relationships between three people: Nikhil, his wife Bimala, and her close friend Sandip. Nikhil is a liberal thinker who believes in progress and modernization, while Bimala is a traditionalist who is content with her life at home. Sandip is a nationalist who believes in fighting for India’s independence from British rule. The novel explores the tension between these three ideologies, and how they play out in the lives of the novel’s characters.



The Home and the World was written during a time of great political change in India. The novel reflects the anxieties and uncertainties of this time period, as well as the changing role of women in Indian society. The Home and the World is considered to be one of Rabindranath Tagore’s most important works, and is still widely read and studied today.

In this novel, Tagore brings about the nationalist topic related to the swadeshimovement which was popular in that era. Rabindranath Tagore, like Jawaharlal Nehru, the first Prime Minister of India,rejected Gandhi’s vision on modernity. Gandhi saw modernity as a threat for the nation and culture, yet Tagore saw it as aprovider of the ideological basis for the critique of foreign domination. The book illustrates the battle Tagore had with himself, between the ideas ofWestern culture and revolution against the Western culture.

 Critical Analysis of novel 'The Home and The World'

 The setting of the novel can be identified with the home rule movement or swadeshi movement in Bengal. This novel was originally published in Bengali with a title Ghare Baire in 1915. It was further translated in English by Surendra Nath Tagore with some help from the author Rabindra Nath Tagore. When this novel was published it was praised by W.B.yeats.  It is allegorical in nature as the two characters Nikhil and Sandip stands for two different and opposing visions  for the whole nation. 

Bimala is a character who is not sure whom to follow ? it seems that she is torn between Nikhil and Sandip. She is in search of her guiding principle. Nikhil represents a global perspective of enlightenment. On the other hand Sandip’s view is radical. His dialogues are fierce and it represents extreme form of nationalism which is a kind of threat for the nation. His visions can be kept under blind fanaticism. It is very unfortunate that Nikhil dies in the end of the novel. 

Bimala also understands the true colors of patriotism and she is back to her senses. She was infatuated with Sandip and his belligerent nationalism.  The condition of Bimala is like the condition of Bengal where there is a great lack of leadership. In the absence of leaders like Nikhil she is unable to take decision. It seems that Bengal is also divided and tormented and further it becomes motionless. 

 Tagore’s pessimism regarding the future of Bengal can be seen here. Most of the characters in this novel are one dimensional and flat. Nikhil is the embodiment of goodness whereas Sandip is his opposite in all the senses. It the whole narrative we hardly see any change in the characteristic features of these characters. It is interesting to see that the honesty, idealism and altruism stands parallel to his friend’s cupidity, cunning and narcissistic behavior. Thus Nikhil is embodiment of divinity whereas Sandip shows diabolic traits. 

 Nikhil possess all the traits of sattvic as mentioned in Bhagwad Gita. His element of dominance is lighter than Sandip. This is one of the reasons that he is wise and pure. He truly believes in serving the society honestly.  Sandip is rajasik that is to say a person who has falls fire inside his heart. So, he is destructive, greedy and violent. His character matches with a true Machiavellian character who can think only about his own benefits. He believes in the theory that –

“Every man has a natural right to possess, and therefore greed is natural…what my mind covets, my surrounding must supply”“We are the flesh-eaters of the world ; we have teeth and nails; we pursue and grab and tear. We are not satisfied with chewing in the evening the cud of grass we have eaten in the morning….In that case we shall steal or rob, for we must live.”



By such statements we are reminded about yahoos of Swift but we can’t deny that it is the morality of a modern materialist and capitalist society. It is highly allegorical in nature where one cannot understand the true colors of characters like Sandip. Apart from this we also find Sandip wooing his friends wife while he lives under his roof. The youths of Nikhils village are provoked by him to follow the path of violence and finally Nikhil himself becomes a victim. Anita Desai has rightly said about Sandip that he

“Resembles nothing so much as the conventional blackguard of the Indian stage or the Bombay cinema, stroking his handlebar moustache as he gloats over a bag of gold and a cowering maiden.”

Tagore and his character Nikhil reflects the ideology that everyone is part and parcel of Brahman that is to say everyone is like strings of the almighty or in another words microcosm is reflected through the macrocosm. We are like the petals of a flower attached to a central stem which can be humanity through the bond of love. So, human kind should work for a global society.

It should be further based on the concepts of equality, mutuality and inclusiveness.  It should encompass all the human being and we should think beyond nationalism as it cultivates xenophobia, binarism and parochialism. It entraps people in egoism and trifle triumphalism.  In the Nobel prize acceptance speech Tagore advocates that-“

 I do not think that it is the spirit of India to reject anything, reject any race, reject any culture. The spirit of India has always proclaimed the ideal of unity….Now, when in the present time of political unrest the children of the same great India cry for rejection of the West I feel hurt…We must discover  the most profound unity, the spiritual unity between the different races. We must go deeper down to the spirit of man and find out the great bond of unity, which is to be found in all human races…. Man is not to fight with other human races, other human individuals, but his work is to bring about reconciliation and peace and restore the bonds of friendship and love.”

Throughout the novel similar sentiments have been expressed by Nikhil thus he is the spokesperson of Tagore. We find Sandip equating nation with God whereas Nikhil tries to bring entire human community together to search God. Thus there are differences in thinking and approach.


conclusion


The Home and the World by Rabindranath Tagore is a novel that tells the story of the struggle between modernity and tradition. The novel centers on the conflict between Nikhil, a young man who wants to modernize his country, and his wife, Bimala, who wants to hold onto traditional values. The novel explores the themes of love, duty, and patriotism.

The Home and the World is a powerful novel that speaks to the universal human experience. Tagore’s writing is beautiful and moving, and his characters are complex and fully developed.

Monday, 11 September 2023

Midnight's Children

Hello everyone, in this blog i will discuss about some question about character study of Salman Rushdie's Midnight's Children

types of character

 Protagonist: The main character of a narrative; its central character who engages the reader’s interest and empathy. 

Antagonist: The character, force, or collection of forces in fiction or drama that opposes the protagonist and gives rise to the conflict of the story; an opponent of the protagonist. 

Round: A character that is convincing, true to life. A character that has many different and sometimes even contradictory personality traits. A character that undergoes some type of change or development in story, often because of something that happens to him.

 Flat/Static: A character that does not change in the course of the story. A character that is stereotyped, shallow, and often symbolic. A character that has only one or two personality traits.



 CHARACTERS IN MIDNIGHT’S CHILDREN

 Saleem Sinai 

Saleem Sinai is the protagonist and narrator of Midnight’s Children. He is born, along with one other child, at the exact moment of India’s independence. His identity, however, is switched at birth. As a result, he is raised by a prosperous family in Bombay, while his counterpart and future rival, Shiva, is raised in poverty. Saleem has the powers of telepathy and a preternaturally acute sense of smell, which allow him to find the other children of midnight and create the Midnight’s Children’s Conference. As he approaches his thirty-first birthday, he says he is nearing death. His body is literally falling apart, and it’s only a matter of time before he crumbles into dust. Driven by a desire to beat his biological clock, Saleem narrates his life story to his devoted and loving caretaker, Padma. His tale, which begins with his grandfather Aadam and is at times unreliable and contrived, represents not only his individual life story but also the entire history of postcolonial India. All the major events in his life correspond to important political events in Indian history, leading him to compare his narrative to religious texts. Given his fantastic birth and extraordinary powers, the prime minister of India, Indira Ghandi, seeks to destroy him along with the other midnight’s children.

Aadam Aziz

 Saleem’s grandfather. Aadam is the patriarch of the family, a doctor and skeptic whose loss of faith leaves what he refers to as a “hole” inside of him. Aadam falls in love with his wife, Naseem, after only being allowed to see her through a hole in a perforated sheet. 

 Ahmed Sinai

 Saleem’s father. A shrewd businessman who is nonetheless destined for failure, Ahmed spends much of his marriage fighting his wife and his alcohol addiction. 

 Mumtaz (Amina Sinai) 

Saleem’s mother, and the daughter of Aadam Aziz. Born Mumtaz, she changes her name to Amina after her marriage to Ahmed. A loving, devoted mother, she inherits her father’s skepticism and her mother’s determination. Despite being married to Ahmed, she is never able to forget her first husband, Nadir Khan. 

 Mary Pereira

 Saleem’s ayah and surrogate mother. Mary is responsible for switching Saleem and Shiva at birth out of a misguided sense of social justice. In order to compensate for her crime, she dedicates her life to raising Saleem. 

 Shiva

Saleem’s archrival. Shiva is born at exactly the same moment as Saleem. While Saleem is raised in a loving, wealthy household, Shiva is raised in abject poverty by a single father. He is blessed with a pair of preternaturally strong knees and an amazing prowess in war. Shiva is named after the Hindu god of destruction, who is also the god associated with procreation.

Born at the stroke of midnight and named after the Hindu god of destruction, Shiva is Saleem’s rival and counterpart. Switched at birth with Saleem, Shiva is robbed of his affluent birthright and raised in abject poverty. Blessed with a pair of enormous and powerful knees, Shiva is a gifted warrior and, therefore, a foil for the more mild-mannered Saleem. Shiva represents the alternate side of India: poor, Hindu, and as aggressive as Saleem is passive. As a young child, he is the leader of a street gang and possibly a murderer. He is driven by a determinedly individualist perspective and grows up unable to form any human attachments. Although he is a violent character, he is, nonetheless, a tragic figure, damaged and shaped by the forces of history and class. During the 1971 war between India and Pakistan, Shiva lives up to his name and becomes a war hero, eventually promoted to the rank of major. Along with his military reputation, Shiva also becomes a noted lover among the women of Indian high society, siring a number of illegitimate children. In the end, Shiva hunts Saleem down and turns him over to one the camps opened during Indira Gandhi’s state of Emergency, where Saleem, along with the other midnight’s children, is administered an operation that renders him sterile. In this way, Shiva manages to effectively destroy the children of midnight.

Parvati-the-witch

 A real witch, and, like Saleem, one of the children born at the moment of India’s independence. Parvati is Saleem’s closest ally as a child and later becomes his wife. Despite her fantastic powers, she is unable to make Saleem fall in love with her and, as a result, embarks on an affair with Shiva that results in a child. In the Hindu religion, Parvati is the consort of Shiva

Padma 

 Padma is Saleem’s loving companion and caretaker, and she will become his fiancée at the end of the novel. She is the audience for Saleem’s narrative. With strong, hairy forearms, a name associated with dung, and a cynical and often impatient ear, Padma represents the antithesis to Saleem’s magical, exuberant, freewheeling narration. She hurries the narrative along, imploring Saleem to get on with the plot rather than veering off into tangents, and often she expresses doubts as to the veracity of Saleem’s account. As a rhetorical device, Padma allows Rushdie the chance to acknowledge explicitly any doubts or frustrations the reader may feel in response to the novel. She is the practical voice of criticism. Because she is there to counteract its most extreme tendencies, she supports the novel’s more willfully excessive indulgences. Saleem’s frequent interruptions, digressions, and self-obsession are all, to some degree, made possible by Padma’s expressions of doubt and frustration: the two sides work together to create a holistic reading experience. By explicitly taking into account the difficulties of the narrative, Rushdie is able to move beyond them.

Naseem Ghani

 Saleem’s grandmother, and Aadam Aziz’s wife. After marriage, Naseem becomes known as Reverend Mother, in part because of her religious devotion. As her husband withers away with age, Reverend Mother grows increasingly large and powerful. 

 William Methwold

 Saleem’s biological father. An Englishman, William Methwold seduces women with his perfectly parted hair, which is actually a wig. He owns Methwold’s Estate, a portion of which he sells to Ahmed Sinai. He sees his departure from India as marking the tragic end of an era. 

Alia

 Saleem’s aunt, and a sister of Amina. After Ahmed Sinai rejects her for her sister, Alia harbors a lifelong bitterness and determination to destroy her sister and her sister’s family. 

 


Hanif 

Saleem’s uncle, and a brother of Amina. Hanif was once one of the most promising film directors in India. However, his dream to create art free from melodrama and superstition fails, and, as his career falls apart, he commits suicide. 

Nadir Khan 

Amina’s first husband. As a young man, Nadir Khan is the personal assistant to Mian Abdullah, as well as a bad poet. He falls in love with Amina but is forced to divorce her on account of his impotence. He later changes his name to Qasim Khan and becomes a communist. 

 Mustapha

 Saleem’s uncle, and a brother of Amina. Mustapha is the ideal, obedient civil servant. He is so passive, he’s nearly inconsequential—a fate he takes out on his children by constantly beating them until they have no personality left.

Emeral 

Saleem’s aunt, and a sister of Amina. Emerald marries Major Zulfikar and enjoys an opulently comfortable lifestyle. Selfish and self-absorbed, she only reluctantly comes to her sister’s aid

General Zulfikar

 Emerald’s husband, and an important figure in the Pakistani army. General Zulfikar helps orchestrate a coup against the Pakistani government and makes money by smuggling items into the country. His constant abuse of his son, Zafar, eventually provokes Zafar into killing him. 

 Zafar

 The son of General Zulfikar and Emerald. Zafar wets himself throughout his life and is ridiculed and abused by his father as a result. 

 Aadam Sinai 

The biological son of Shiva and Parvati-the-witch. Saleem raises Aadam as if he were his own child. Aadam is just three years old at the novel’s conclusion. 

 Picture Singh 

A snake charmer, and the leader of the magician’s ghetto. Charming and diplomatic, Picture Singh is Saleem’s closest friend. He is undone by his desire to prove himself the world’s greatest snake harmer. 

Wee Willie Winkie

 Shiva’s father. Wee Willie Winkie is a poor man who earns a living by singing for the wealthy families of Methwold’s Estate. 

 Vanita

 Saleem’s biological mother. Vanita dies during labor. 

 Evie Lilith Burns

 A violent, tough American girl. Evie is briefly the leader of the children living on Methwold’s Estate, and she is Saleem’s first love. 

 Sonny Ibrahim

 One of the children living on Methwold’s Estate. Sonny is Saleem’s best friend. He is also in love with Saleem’s sister, the Brass Monkey. 

 Joseph D’Costa 

A social radical who later becomes a ghost. Joseph D’Costa’s political beliefs inspire Mary’s decision to switch Shiva and Saleem, and his ghost later compels her to confess her crime.

Commander Sabarmati

 A high-ranking official in the Indian navy. After learning that his wife, Lila, has had an affair, Commander Sabarmati shoots her, kills her lover, and then surrenders. He temporarily becomes a national hero. 

Homi Catrack

 A film magnate, and resident of Methwold’s Estate. Homi Catrack has an affair with Lila, the wife of Commander Sabarmati, and is subsequently murdered by the commander. 

 Lila Sabarmati

 The wife of Commander Sabarmati. Lila’s husband shoots her in the stomach for having an affair. 

 Doctor Narlikar

 A doctor, and Ahmed’s business partner. Dr. Narlikar devises a scheme for reclaiming land from the ocean but dies before he can implement it. 

 Alice Pereira

 Mary’s sister. Alice eventually works for Ahmed Sinai and is responsible for Mary’s chutney factory. 

 Farooq, Shaheed, and Ayooba

 Three soldiers assigned to work with Saleem in the Pakistani army. Each one is eventually killed during the war. 

 Narlikar

 Women An unnamed, unnumbered group of “grossly competent” women who take over Dr. Narlikar’s affairs after his death. 

Mian Abdullah

 A political figure before independence. Mian Abdullah is the founder of the Free Islam Convocation, an organization dedicated to resisting the partition of India along religious lines. 

 Ghani

 Naseem’s father. Ghani is a blind, wealthy landowner.

Tai

 An old boatman from Kashmir. Tai is a mysterious, ancient, and wise figure who remains resentful of the world’s encroachment into his territory until his death. 

 Ramram Seth

 A prophet who predicts Saleem’s future while Amina is pregnant. 

The Brass Monkey (Jamila Singer)

 Saleem’s younger sister, initially known as the Brass Monkey, is born into the world with little fanfare. She eventually grows up to become the most famous singer in Pakistan, adored throughout the country. As a child, Saleem notes that the Brass Monkey learned at an early age that if she wanted attention, she would have to make a lot of noise, which is precisely what she does. She becomes a mischievous child who garners attention by destroying things and remains unable to accept love throughout her adult life

The Widow 

Indira Gandhi was the prime minister of India from 1966–1977, then again from 1980–1984, a term that ended with her assassination. Indira was the daughter of Jawaharlal Nehru, India’s first prime minister, and the widow of Feroze Gandhi, an Indian journalist and politician. Though Mahatma Gandhi was a family friend and political ally, the two are not related.

Monday, 4 September 2023

Teacher's day

 Hello everyone,

 I am mansi Gujadiya student of Department of English in MKBU. Today I will make this blog of a celebration of virtual Teacher's Day in over department. On 5 September we all are celebrating a teacher day. So I make a video. And i upload this video on YouTube.


In this video I will discuss about one short story written by Ravindranath Tagore 'The Post Master ' . This story is based on two major characters The Post Master and Ratan.

After watching this video you can quickly give a quiz. Here is a link of quiz

https://forms.gle/bb9vDohmCtRiWx2ZA


I will also upload my lesson in TED ed platform.so you can also visit there. Here is a link

https://ed.ted.com/on/iPXj27yh


Thank you 😊